All posts by Native Earth

HUFF 2017

A Native Earth Performing Arts Production

by Cliff Cardinal

UPCOMING
Oct 16-28 Soulpepper Theatre

Two-time winner and four-time nominee for the Dora Mavor Moore Award, Native Earth’s production of Cliff Cardinal’s Huff is back in Toronto this October!

Huff premiered at Aki Studio as part of Native Earth’s 2015 season. In 2016, Huff had an enormously successful nine-city national tour, followed by an international tour in 2017 to Australia and England, with an additional stop in Manitoba.

Returning to the city this fall, Native Earth’s production of Huff will be shown at Soulpepper Theatre from Oct 16 to 28 in partnership with former Artistic Director Ryan Cunningham’s Cunning Concepts & Creation. For more details of the upcoming show.

Director & Dramaturge Karin Randoja
Playwright & Performer Cliff Cardinal
Set & Costume Designer Jackie Chau
Lighting Designer Michelle Ramsay
Sound Designer Alex Williams
Stage Manager Jennifer Stobart
Production Manager Pip Bradford

Click here for the full production history.


“Huff, is arresting, confronting, and oddly comedic”
– The AU Review


New Artistic Director Ryan Cunningham

Native Earth Performing Arts is pleased to announce our new Artistic Director Ryan Cunningham, whose fresh leadership and zealous vision will move NEPA into yet another exciting era of creating strong Indigenous work for our community and beyond.

“We were impressed and excited about many of Ryan’s ideas for Native Earth, which included multidisciplinary connections with the arts community and the national Indigenous community,” says Jed DeCory, President of NEPA’s Board of Directors. “We feel that with his energy and vision we will be able to continue on a path to a positive future.”

Ryan is a proud Métis (Cree/Scottish) from Edmonton, Alberta and has worked as a professional actor across Canada. He is the co-founder and Artistic Manager of Alberta Aboriginal Performing Arts and the co-curator/producer of The RUBABOO Arts Festival, which kicks off on January 30th in Edmonton. He is co-founder of The Agkowe Collective which continues to bring the award winning play to communities across Canada and beyond. Ryan is a board member of two prominent national organizations: IPAA (Indigenous Performing Arts Alliance) and the CanDANCE Network.

Ryan recently performed in Yukonstyle at the Berkeley Street Theatre (Canadian Stage). As an actor he has performed in notable productions such as King Lear and The Ecstasy of Rita Joe (National Arts Centre), Urinetown: The Musical and Vimy (Firehall Arts Centre) and Next Year’s Man of Steel (Shadow Theatre). Ryan can be seen right now on APTN (Aboriginal Peoples Television Network) in the third season of the award winning series Blackstone, as well as Mixed Blessings, Earth: Final Conflict and Blue Murder.

Ryan’s involvement with Native Earth began as an actor in the fall of 2003 during the 16th Weesageechak Festival. He has been a featured actor in NEPA mainstage productions: Annie Mae’s Movement, Death of a Chief and Dreary & Izzy. Ryan was a Festival Associate at Native Earth supporting the 23rd annual Weesageechak Begins to Dance.

Native Earth welcomes Ryan to its community and family. We look forward to sharing his artistic vision in the months to come as he steps into our office as of January 6, 2014.

 

 Media Reference: Jessica Carmichael Phone: (416) 531.1402 E-mail: associate@nativeearth.ca

-30-

History

Native Earth Performing Arts is a not-for-profit organization dedicated to creating and producing Native performance works. Founded in 1982, Native Earth Performing Arts is Canada’s oldest professional Native theatre company. Native Earth has participated in the development of a community of artists, and in the creation of several Aboriginal classics including Almighty Voice and His Wife by Daniel David Moses, The Rez Sisters and Dry Lips Oughta Move To Kapuskasing by Tomson Highway, Someday by Drew Hayden Taylor and Moonlodge by Margo Kane. In 1989, Native Earth instituted an annual development festival of new work called Weesageechak Begins to Dance. Since then, the Weesageechak Festival has helped develop over 100 new dance and theatre works by emerging and established artists, including Princess Pocahontas and the Blue Spots by Monique Mojica,  Annie Mae’s Movement by Yvette Nolan, Tales of an Urban Indian by Darrell Dennis and Gordon Winter by Kenneth T. Williams.

The millennium has brought about a great deal of change at NEPA, and has also brought us around, full circle, reconnecting us to our beginnings. In 2004-2005 Yvette Nolan helmed the largest Native Earth production in years, The Unnatural and Accidental Women by Marie Clements featuring a cast of thirteen. As ever, NEPA set a new standard, and the show was selected by NOW Magazine as one of the Top Ten theatre productions of 2004.  Our relationship with Indigenous peoples abroad has expanded and deepened, with the epic Honouring Theatre Tour of Turtle Island, Aotearoa and Australia. We braved Death of a Chief, a landmark adaptation of Julius Caesar (co-production with the NAC) and a full-scale opera (Giiwedin, a co-pro with An Indie(N) Rights Reserve) which played with both legally recognized official languages as well as Anishinabemowin. The second decade in the new millenium connects NEPA to its roots with the ongoing demand for the now canonical work, Almighty Voice and His Wife.

Native Earth’s training initiatives feature the creation programs Animikiig and Thundering Voices, diverse practical apprenticeships and on-the-job skills acquisition on professional level projects, including full-scale productions.

Our thirty-first anniversary season will focus thematically on “Community” as we continue to plant roots in our new NEPA home, with a playing space and administrative headquarters at the Regent Park Arts and Cultural Centre.

 

Weesageechak 26

Weesageechak Begins To Dance – 26
November 21-23, 2013
Join us as Weesageechak begins to dance for the 26th time. This year’s festival places a special emphasis on local Indigenous artists and their works in development!

Let’s Play.

Day One: Thursday, November 21 @ 8pm

Rutas Festival Preview *A Sneak Peak of our partnership with Aluna Theatre’s Rutas Panamericanas Festival featuring excerpts of:

What I learned from a decade of fear created & directed by Trevor Schwellnus in association with Aluna Theatre
La Maleta (The Suitcase) created by Bea Pizano
In Spirit created by Tara Beagan and the original creative team

Day Two: Friday, November 22 @ 8pm
Emerging and Veteran Female Voices *Playwright in residence PJ Prudat and Gemini Award winning artist Jani Lauzon bring to life the Aki Studio with text and music 

I Call Myself Princess: The Story of Tsianina Redfeather created by Jani Lauzon
Postcards created by PJ Prudat

Day Three: Saturday, November 23 @ 8pm
Animikiig and Thundering Voices Night *A showcase of new and exciting Indigenous voices featuring our partnership with the 3rd year talents from the Centre of Indigenous Theatre

Deadbeats created by Garret C. Smith
Aluasa’sit created by Cathy Elliot
Good Grief created by Lorrie Gallant and L.M. VanEvery
The Circle: Visions of a Hoop Dancer created by Tjay Henhawk
The Longest Way Around created by Heather Marie Annis

The festival closes with an Indigenous Networking After-Party sponsored by
the Indigenous Performing Arts Alliance www.ipaa.ca

Let’s Dance.


Each night is $15

 

I Call Myself Princess: The Story of Tsianina Redfeather

I Call Myself Princess: The Story of Tsianina Redfeather
by Jani Lauzon with direction & dramaturgy by Ruth Madoc-Jones

“It has been a breathtaking ride researching this work. I call it an opera within a play. And while things have changed there are so many things that have not. Especially our relationship to identity and popular culture, the Opera based on Tsianina’s life being the pop culture of the time. This wouldn’t be happening without the generosity of many.” Jani Lauzon

Day 2: Thursday, November 21st @ 8pm 
Aki Studio Theatre – 585 Dundas St. East

Back to Weesageechak 26

The Circle: Visions of a Hoop Dancer

by Tjay Henhawk with direction & dramaturgy by Cole Alvis

A coming of age story about a young boy who must overcome many obstacles and negative influences. As he struggles through his journey will he find the true meaning of his visions?

Featured in the Animikiig / Thundering Voices night of the festival
Saturday, Nov. 23rd @ 8pm* 
Aki Studio Theatre

*Followed by an Indigenous Networking After-Party sponsored by
the Indigenous Performing Arts Alliance www.ipaa.ca

Back to Weesageechak 26

Postcards

By NEPA playwright-in-rez PJ Prudat with direction/dramaturgy by Nigel Shawn Williams

A young Métis man, in search of his stolen roots, sets out on an enlightening journey to unearth his lost identity and find his blood family.

Day 2: Thursday, November 21st @ 8pm 
Aki Studio Theatre – 585 Dundas Street East

Back to Weesageechak 26

The Longest Way Around

The Longest Way Around
by Heather Marie Annis
with direction & dramaturgy by Spy Dénommé-Welch

William Elias the child of two intersecting paths – that of traditional Ojibwa living and imported Christian values. At the epitome of a crossroads, what must he lose when faced with an ultimatum?

Featured in the Animikiig / Thundering Voices night of the festival
Saturday, Nov. 23rd @ 8pm* 
Aki Studio Theatre

*Followed by an Indigenous Networking After-Party sponsored by
the Indigenous Performing Arts Alliance www.ipaa.ca

Back to Weesageechak 26

Aluasa’sit

by Cathy Elliot with direction & dramaturgy by Herbie Barnes

The Chenoo of Mi’qmak tradition is a monster of inconceivable proportions, consuming whole communities. This story is interwoven with a contemporary tale to ask: did Anna Mae Pictou Aquash fall to a similar beast?

Featured in the Animikiig / Thundering Voices night of the festival
Saturday, Nov. 23rd @ 8pm* 
Aki Studio Theatre

*Followed by an Indigenous Networking After-Party sponsored by
the Indigenous Performing Arts Alliance www.ipaa.ca

Back to Weesageechak 26

La Maleta (The Suitcase)

by Beatriz Pizano with direction by Andrew Lamb in association with Roseneath Theatre

La Maleta (The Suitcase) is the story of Roca, a ten-year old refugee who escapes her native Colombia clutching her suitcase – inside of which she believes her grandmother is hiding. Struggling to adapt to a new city, a new school and a new way of life, Roca befriends Paz, a boy with a secret who is being bullied by their classmates.

Opening Night of the festival
Thursday, November 21st @ 8pm 
Aki Studio Theatre – 585 Dundas St. East

Back to Weesageechak 26