Category Archives: Productions

Drew Hayden Taylor: “The Cream of the Crop”

Audiences will certainly be familiar with this next playwright. Joining us in Weesageechak Begins to Dance 27 is Drew Hayden Taylor, an award-winning playwright, novelist, scriptwriter and journalist from the Curve Lake First Nation.  His plays have seen over 80 productions, and some of his twenty-six books have been translated into Spanish, Slovenian, Italian and German.

Drew Hayden Taylor has a long history with Weesageechak Begins to Dance – he participated in the very first one,  which he fondly refers to as “a thousand years ago.”  Taylor returns to the festival because he believes it’s “an opportunity to see the next generation of Native theatre before anybody else does, in its embryonic state.”

“It is a wonderful opportunity for experienced and up-and-coming artists to rub shoulders, and further develop their craft,” says Taylor. “I have always viewed the Weesageechak Festival as the public’s chance to see what is new and cutting edge these days in Native theatre.”

“Where else can you see the cream of the crop, in terms of Aboriginal theatre artists, all grouped together in one place!?”

Indeed, this year audiences will be able to see the work of sixteen playwrights, six dancers, four Animikiig Training Program artists, and international companies Tawata Productions (New Zealand) and La MaMa (New York).  Taylor asks, “Where else can you see the cream of the crop, in terms of Aboriginal theatre artists, all grouped together in one place!?”

This year, Taylor is sharing his new comedy The Boneyard Blues with Weesgeechak audiences, a story “dealing with repatriation of both traditional artifacts, and the heart,” explains Taylor. The piece is a part of his ongoing series of Aboriginal comedies celebrating the Aboriginal sense of humour.


Some bits and bobs about Drew Hayden Taylor

What was your first job in theatre?
Literally, it was being Writer-in-Residence for Native Earth Performing Arts. Prior to that I had written some television and worked on contract for a few arts organizations (like CBC Radio and the Canadian Native Arts Foundation) but never theatre. Tomson neaded a WIR and I needed a job.
It seemed like a match made in heaven.

What are you reading right now?
I am reading Tom King’s On The Back of The Turtle. He’s a good friend of mine and I was thinking I should read it, especially since I had to read a segment for him at the G.G. nomination party last week when he was on the road.

What’s next for you?
Two things, the continuation of my Me series (Me Funny, Me Sexy) called Me Artsy, that explores and deconstructs the Aboriginal artistic experience, and currently I am writing a collection of
Native Science Fiction short stories.

Thanks Drew!


You can catch The Boneyard Blues on Saturday, Nov 22nd @ 7:30pm with a Weesageechak Begins to Dance 27 Festival Pass.
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Karin Randoja: “Raw, Youthful Energy”

Helping to bring to light the new work in Weesageechak Begins to Dance 27,  are a great number of extraordinary dramaturg/directors. One of these is Karin Randoja, who is directing an excerpt from Cliff Cardinal’s new play, romanceship.

Karin Randoja is a director, actor, singer/composer and teacher and has been creating devised theatre for over 20 years. This will be her first time participating in Weesageechak Begins to Dance, and she is excited to be a part of it.

“There is a lot of new work, new energy, new artists, etc. and when you have that much raw, youthful energy, the festival can’t help but be inspiring and spirited,” says Randoja. She says Weesageechak audiences can expect to “meet, head on, new perspectives on Canada and Canadian lives.”

Randoja was a founding member of Primus Theatre and is a member of The Independent Aunties. She has performed and/or directed at Cleveland Public Theatre, La Mama Etc. (New York), The Caravan Farm Theatre and The National Arts Centre (to name a few).

“The festival can’t help but be inspiring and spirited.”

Randoja also teaches at Humber College, and numerous other schools and theatres. She has worked across Canada, the U.S., Europe, Japan and Mozambique, and is a graduate of the acting program at The National Theatre School of Canada.  Next she will be preparing for the world premiere of The Independent Aunties new show, Gertrude and Alice for the 2015/16 season at Buddies in Bad Times.


Some bits and bobs about Karin Randoja

What advice would you give to someone who wants to do what you do? One of the best ways to survive the craziness of this world is the classic improv advice, “Yes, and…” Just accept and learn from all the experiences that come your way. Reject nothing. Learn from everything.

What was your first job in theatre?
My first professional experience after graduating NTS was acting in one of the strangest, worst musicals ever written. My friends would come over and over again to sit and revel in how truly, bizarrely awful it was…very humbling. It closed early.

What is your profession’s greatest challenge today?
Finding the time and resources to give new work the right conditions and support it needs to develop and deepen and make Canadian theatre potent and relevant.

What’s your favourite dessert?
I scream ICE CREAM.

Who is one of your heroes?
Mother Theresa.

The one word your best friend would use to describe you?
Unique.

Thanks Karin!


You can catch Cliff Cardinal’s romanceship on Tuesday, November 18th @ 7:30pm with a Weesageechak Begins to Dance 27 Festival Pass. More About Tickets

Jeremy Proulx: “The Work is Daring”

In addition to the line-up of playwrights featured in Weesageechak Begins to Dance 27 there are also remarkably talented performances artists. Another of these artists is Jeremy Proulx, a multi-disciplined artist of Anishnaabeg (Ojibwe) and Haudenosaunee (Oneida) descent.

No stranger to Weesageechak Begins to Dance, Proulx explains he returns to Native Earth’s  annual Indigenous festival of new works to “help support talented and emerging First Nation talent in the theatre community.”

This support certainly helps to encourage more playwrights to share their work, which Proulx says pushes boundaries. “The work is daring. The work is highly original.”

Currently an Artistic Associate and ensemble performer with Belarus Free Theatre in the United Kingdom, Proulx has been an actor, writer, dancer and filmmaker for the past 15 years. This past July, he made his London stage debut at the Young Vic in Red Forest, which was co-produced as part of the London International Festival of Theatre (LIFT).

“The work pushes boundaries. The work is daring. The work is highly original.”

Proulx recently returned from a theatre production tour throughout Italy with Young Vic. Future plans for more international tour dates of Red Forest include New York City, the Melbourne Theatre Festival in Australia, as well as an extensive UK tour next year.


Some bits and bobs about Jeremy Proulx

What advice would you give to someone who wants to do what you do? The rejection can be tough but it’s not always about you. Learn to be persistent. Fight for what you believe in.

What’s the best advice you’ve ever received as a writer?
Writing is rewriting. Write what you know.

 What are you thinking right before you begin a play?
Why do people want to hear this play now?

Who are some of your favorite writers? Favorite playwrights? Louise Erdrich, Sherman Alexie, William Shakespeare, Richard LaGravanese, James L. Brooks, Harper Lee, The Coen Brothers

What’s your favourite song lyric?
“Life I’ve always wanted, guess I’ll never have. I’ve been working for somebody else until I’m in my grave. I’ve been dreaming of a life of ease and mountains o’ mountains o’ things.”
Mountains O’ Things by Tracy Chapman

If you had to choose three books as a “Welcome to Canada” gift, what would those books be?
Three Day Road by Joseph Boyden, Monkey Beach by Eden Robinson and An Inconvenient Indian by Thomas King

What’s your favourite dessert?
Cherry Cheesecake

If you were a breakfast cereal which would you be?
Pac-Man

Thanks Jeremy!


You can catch Jeremy Proulx on various nights throughout the festival with a Weesageechak Begins to Dance 27 Festival Pass.
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Cheri Maracle: “Filled to the Brim with Talent”

In addition to the line-up of playwrights featured in Weesageechak Begins to Dance 27 there are also remarkably talented performances artists. One such artist is Cheri Maracle, the multi-award nominated actor/singer/songwriter of the Six Nations of the Grand River Territory.

Maracle will be performing the one-woman show, Paddle Song by Tom Hill and Dinah Christie, about the life and works of famed Mohawk poet Pauline Johnson. “I absolutely love portraying this historical trailblazer, and am pleased to share this new script with a fresh new audience who probably hasn’t seen this wonderful show yet,” says Maracle.

Maracle has worked primarily on stage and the small screen for the past 20 years professionally. Twice nominated for a K.M. Hunter Theatre award for her body of theatrical work, Maracle was also nominated for a Canadian Screen Award last year for her reoccurring role as Sara Bull on APTN’s critically acclaimed Blackstone.

“It’s thrilling, captivating, and filled to the brim with talent.”

But her work doesn’t stop there: She is also a recording artist and recently released her third album Ache of Love, a jazz compilation, available on iTunes. Most recently Maracle played Veronique St.Pierre, at The Belfry Theatre in Victoria.

Maracle suggests audiences can learn something from Weesageechak Begins to Dance 27.  “It’s thrilling, captivating, and filled to the brim with talent. I adore the people involved, they’re maniacs like me. I am so proud to be a part of telling our Indigenous stories. What a majestic gift.”


Some bits and bobs about Cheri Maracle

What advice would you give to someone who wants to do what you do? Study, Train, work hard, develop ALL talents. Don’t take anything personally, and treat the theatre with respect.

Describe your ideal writing environment.
Quiet. Serene. Nature around me… but mostly… QUIET!

Who are some of your favorite writers? favorite playwrights? Richard Wagamese is one of my favourite writers.
Fav. playwrights are Marie Clements and Tomson Highway.

What ability would you like to steal from another writer?
Marie Clements’ uncanny visuals.

If you had to choose three books as a “Welcome to Canada” gift, what would those books be?
Orenda, Three Day Road, and Indian Horse.

What are you thinking right before you begin a play?
Before I perform I always give thanks to the Creator, for my gifts as a human being, and I ask the Creator to be with me as I step onstage to tell the story…

Thanks Cheri!


Catch Paddle Song on Saturday, November 15th @ 7:30pm with a Weesageechak Begins to Dance 27 Festival Pass. More About Tickets

Darla Contois: “It’s Time to Listen”

We are incredibly honoured to have a such an incredibly talented line-up for Weesageechak Begins to Dance 27.  This eleven-day festival will bring audiences work from Indigenous playwrights from across the globe.

Recent graduate of the Centre for Indigenous Theatre, and current member of the Animikiig Training Program, Native Earth’s is excited to introduce emerging Cree playwright Darla Contois to Weesageechak audiences.

“I’ve been attending Weesageechak Begins to Dance since I first moved to Toronto in 2011,” says Contois. “I remember the first reading I ever saw was Cliff Cardinal’s Huff. It was that captivating performance that’s brought me back every single year to see new works and I’m honored to find myself up on NEPA’s stage.”

Contois will be sharing her debut play, White Man’s Indian, which she describes as “a very personal piece” about “a young woman from the reserve trying to make her way in a dominantly white society.” Contois further explains that the protagonist is “not only dealing with racism but her own issues of sexually repressed memories that force her to re-think everything that she is: Native.”

“Intelligent, honest, funny, and touching – with dark personal truths.” – Ed Roy (Dramaturg)

Darla Contois is from Grand Rapids Cree Nation in Manitoba. She studied theatre at Manitoba Theatre for Young People, University of Manitoba, and is an esteemed graduate of a three-year professional training program at the Centre for Indigenous Theatre. Darla has appeared most recently in Only Drunks and Children Tell the Truth (Dir: Herbie Barnes, CIT/Helen Gardiner Phelan Playhouse) and White Buffalo Calf Woman (Dir: Jim Warren, CIT/Helen Gardiner Phelan Playhouse).


Some bits and bobs about Darla Contois

What advice would you give to someone who wants to write?
Be brutally honest with yourself and with your audience, I promise they’ll love you for it. When you feel stuck sometimes the answer is the simple next step no matter how much you try to ignore it.

Describe your ideal writing environment.
A quiet place I can sort through my thoughts and read over things again and again. I’m a bit of a perfectionist.

What was your first job in theatre?
I got really lucky. I was apart of Columpa Bobb’s Aboriginal Arts program in Winnipeg and we did an improvisation class as a part of our training. As a class we were hired to do improv based on direction we received from a director and a writer, helping them to discover the next phase of their script. I got paid $50.00 per session and it was my first paid acting gig. I was 16 at the time.

What’s your favorite line from a book, or play, or favourite lyric from a song? My favourite line from a book is from Andrew Davidsons ‘The Gargoyle’: “Accidents ambush the unsuspecting, often violently, just like love.”

Why Weesageechak Begins to Dance?
Weesageechak is the only festival of its kind in Toronto featuring Indigenous emerging playwrights. When so many voices of the past have been silenced, it’s time to listen and Weesageechak provides this opportunity.

Thanks Darla!


You can catch White Man’s Indian on Wednesday, November 19th @ 7:30pm, a part of the Animikiig Emerging Artists’ Evening with a Weesageechak Begins to Dance 27 Festival Pass. More About Tickets

Kenneth T. Williams: “Sexy Indigenous People”

We are incredibly honoured to have a such an incredibly talented line-up for Weesageechak Begins to Dance 27.  This eleven-day festival will bring audiences work from Indigenous playwrights from across the globe.

KTW_headshot_colour_namedIncluded in this lineup is award-winning Cree playwright, author of Café Daughter, and former Native Earth Playwright-in-Residence, Kenneth T. Williams. Williams brings his latest work, In Care, to W27, which he describes as his “response to the crisis we have with the various child and family services organizations across this country.”

Williams has sold encyclopedias door-to-door, been a part-time soldier, drummed in a redneck reggae rock band, tended bar, reported from Parliament Hill and is now the proud caregiver to his hamster, The Grand Duchess Single Malt Whisky. Speaking of whiskey, he prefers Irish to Scotch, Bushmills to Jameson’s, but won’t be fussy if you’re buying. He’s currently the Playwright-in-Residence for University of Saskatchewan and was just named its first Aboriginal Fellow in Creativity. He lives in Saskatoon and is known to write plays on occasion. This is his sixth time at Weesageechak Begins to Dance.


Some bits and bobs about Kenneth T. Williams

What was your first job in theatre?
Acting in a Fringe play.

Describe your ideal writing environment.
A hybrid of my living room attached to my favourite coffee shop.

What advice would you give to someone who wants to do what you do? This is not a life for people who merely “want” it.

What ability would you like to steal from another writer?
How words make gooder.

Who would you most like to have dinner with?
With whomever’s covering the bill.

What can audiences expect from W27?
Sexy Indigenous people writing new plays times three.

What’s next for you?
Cleaning the hamster’s cage.

Thanks Kenneth!


You can catch In Care on Saturday, November 22nd @ 7:30pm with a Weesageechak Begins to Dance 27 Festival Pass. More About Tickets

In Spirit

Created/Written by Tara Beagan
and the original SummerWorks creative team
Direction: Tara Beagan
Performer: Sera-Lys McArthur
Production Design: Andy Moro
Stage Manager: Mike Lewandowski
Assistant Director: Jessica Carmichael

Western Canada Tour
Talking Stick Festival
 in Vancouver, February 19-20, 2014

Limited run in Toronto
Rutas Panamericanas Festival, Toronto March 3-8 2014
the production extends beyond Rutas in the Aki Studio Theatre, Toronto March 11-16, 2014

Buy Tickets Now

Tara, Andy, Sera-Lys photo by Juan CP

“I don’t remember growing up. Not really. I remember school shopping but I don’t remember ever thinking, Wow, my feet are bigger today, better get new shoes!” 

Synopsis

In Spirit (formerly Quilchena)

Spring, 1979. A young girl is mere days away from celebrating her birthday. Her dad can’t keep the secret of her gift any longer, so proudly presents her with a new bike- well… new to her.

Sharing in his excitement, birthday girl and bike make their debut trip along the nearest paved road. Failing to return for dinner, a makeshift search party finds only the bike, tossed to the roadside. Years pass and family and friends hope and pray for a return. There is no sign of their young, bright girl until one terrible day when partial remains are officially identified. The community tries to release her spirit into the next world, unsettled though they are by not knowing how this awful thing has happened. In that ceremony of communing, the missing girl does her best to push through to her loved ones, sharing her shattered recollections in shards. This fictionalized journey into love and loss is inspired by all too many true stories.

 

Sera-Lys and bike Juan C P

Native Earth’s featured production is the much-acclaimed In Spirit, directed by former NEPA Artistic Director Tara Beagan. Created by Beagan and the original creative team, In Spirit is a fiercely haunting work inspired by a true story. Production Designer Andy Moro returns with a fearsome videoscape along with the sound and lighting he conceived of in the SummerWorks production where “he seared our eyes and ears.” (NOW Magazine, ’07 Top Ten Theatre Artists of the year.) Actor Sera-Lys McArthur (Where the Blood Mixes, CBC’s Arctic Air, Hard Core Logo II) joins Beagan and Moro as the sole performer, rounding out the all-Indigenous creative team. The work will go on tour in February to Kingcome Inlet and debut at Talking Stick Festival on February 19th, before returning to the Aki Studio Theatre and Rutas Panamericanas Festival.

Reviews:
Mooney on Theatre
Urban Native Magazine
Echoworld
NOW Magazine

Technical information for presenters In Spirit technical rider feb 2014.

Click here for the In Spirit  Package Theatres.

Weesageechak Begins to Dance Festival XXV

Native Earth is happy to present the Weesageechak Begins to Dance Festival XXV!

photo of PJ Prudat by Juan Camilo Palacio

Aki Studio Theatre, Daniels Spectrum Building

585 Dundas Street East  Toronto, ON M5A 2B7

NOV 14 NOV 15 NOV 16 NOV 17 – 2 shows!

8PM at Aki Studio Theatre

Dominion

by Andréa Ledding
director/dramaturg: David Geary

featuring Herbie Barnes, Rick Campbell, Nicole Joy-Fraser, Falen Johnson

Following Dominion, at the Paintbox Bistro, 555 Dundas St. East

Turtlesback Launch


8PM at Aki Studio Theatre

Unrelated*

by Daina Ashbee
dramaturg:
Michael Greyeyes

featuring Daina Ashbee, Maxine Chadburn, Emily Law, Mariana Meinke

*Contains nudity, not recommend for children

8PM at Aki Studio Theatre

Animikiig/ Thundering Voices

Okinum

by Emilie Monnet
director/dramaturg:
Cole Alvis

featuring Falen Johnson

Jack the Ripper

by Dakota Hebert
director/dramaturg:
Donna-Michelle St. Bernard

featuring Aqua, Lisa Charleyboy, Meegwun Fairbrother, Jiv Parasram, Jeremy Proulx, PJ Prudat, Theresa Stevenson

509

by Justin Many Fingers
director/dramaturg: Derek Garza, Michael Greyeyes

featuring Michael Caldwell, Carlos Rivera

Aluasa’sit

by Cathy Elliot
director/dramaturg: Herbie Barnes

featuring Aqua, Cole Alvis, Nicole Joy-Fraser, Dakota Hebert, Jeremy Proulx

2:30 PM at Aki Studio Theatre

When the Fish Met the Turtle

by Sharada K. Eswar & Rosary Spence
director/dramaturg:
Jani Lauzon

featuring Sharada K. Eswar, Rosary Spence

8PM at Aki Studio Theatre

Heat Lightning

by Drew Hayden Taylor
director/dramaturg: Tara Beagan

featuring Jasmine Chen, Derek Garza, Moynan King, Monique Mojica

Weesageechak Begins to Dance XXV

 

Weesageechak 25
Photo of PJ Prudat by Juan Camilo Palacio

Come join Native Earth for the 25th annual Weesageechak Begins To Dance Festival! We have an amazing line up for this new play festival and all will be performed in our brand new Aki Studio Theatre located at the Daniels Spectrum building.

November 14th @ 8pm
DOMINION by Andréa Ledding
Director/Dramaturg: David Geary
Cast: Herbie Barnes, Falen Johnson, Nicole Joy-Fraser, and Rick Campbell

Inspired by a Dakota speaker’s response to the 2008 residential school apology, the one-act follows the story of Jack and Marie-Phillipe, an unhappily married couple, and Nimitaw and Tatawaw, who are barely managing – living, as they do, in a locked bathroom in their former home, a home now occupied by British Jack & French Marie-Philippe.

Following the performance of DOMINION will be the official launch of Turtlesback portal, hosted by our jazzy board president, Jed DeCory!

November 15th @ 8pm
UNRELATED by Daina Ashbee *Show contains nudity, not recommend for children.
Dramaturg: Michael Greyeyes
Cast: Emily Law, Daina Ashbee, Maxine Chadburn and Mariana Meinke

This dance piece explores the theme of the struggle by Aboriginal women to reconstruct their identities in a cultural setting hostile to self-definition. When women cannot see themselves as part of nature, they cannot see themselves and this is the origin of Aboriginal women’s problems with identity. Come and join dramaturge Michael Greyeyes for the exploration!

November 16th @ 8pm
ANIMIKIIG and THUNDERING VOICES

Our emerging playwriting program has grown to two levels of development. The initial stage Animikiig (formerly Young Voices) and the second tier Thundering Voices (in honour of our late friend and elder Helen Thundercloud) bring us some amazing work for our Friday night festivities. Justin Many Fingers, Emilie Monnet, Cathy Elliott, and Dakota Hebert will be presenting excerpts from pieces in development. This night is always packed to the rafters with good times, so bring your friends and come early!

November 17th @ 2:30pm
WHEN THE FISH MET THE TURTLE by Sharada K. Eswar & Rosary Spence
Director/Dramaturg: Jani Lauzon
Cast: Sharada K. Eswar & Rosary Spence

We are proud to present When The Fish Met The Turtle, a multicultural collaboration between South Asian Canadian storyteller, writer and vocalist Sharada K. Eswar & Cree singer, songwriter and storyteller Rosary Spence. Together they work to blend inspiration, languages and cultures to evoke universal themes and emotions.

November 17th @ 8pm
HEAT LIGHTNING by Drew Hayden Taylor
Director/Dramaturg: Tara Beagan
Cast: Monique Mojica, Derek Garza, Jasmine Chen, and Moynan King

To close out the festival, we welcome back youthful theatre vet Drew Hayden Taylor with his latest piece, a comedic drama HEAT LIGHTNING.

Dates: Nov. 14th – 17th
Location: Aki Studio Theatre, 585 Dundas Street East  Toronto, ON M5A 2B7
Tickets Cost:Regular: $15
Elders/Group Rate/Arts Workers: $10
Festival Pass: $30
People under 16 and underemployed: free!

Box Office: 1-800-204-0855

Made to Order

Made to Order is a program that caters to individual organizations, schools, businesses and more. The program was created so that everyone within Canada can book Native Earth for their event online or over the phone. Some examples of our past Made to Orders range from Savage, a piece about living as an Aboriginal homosexual in rural Canada, (for Fort Francis High School), to Taking Pride, a piece about school mascots and what it means to represent your culture, (for Westhill Collegiate), to Strong Medicine, a piece about traditional practices with tobacco, which played, (for The Aboriginal Tobacco Strategy Conference.)

We also offer a nice variety of professionally facilitated workshops some of which are: Traditional & Contemporary Dance, Aboriginal Singing & Drumming, and Improv. Be creative at your next event and have Native Earth create, illuminate, and send the audience home with the message you want. Contact Community Liaison, Aqua. Phone 416.531.1402 email aqua@nativeearth.ca

Photo of Jeremy Proulx (L), Falen Johnson (R) by Keith Barker